Someladcalledwils
This time in the VIP Room, we catch up with We Get Lifted Radio resident DJ and producer Someladcalledwils, who is preparing for an exciting new chapter.
Known for his deep, driving techno sound, Mark Wilson is set to launch his new imprint, 40six Records, this summer. Alongside the label launch, he’s also introducing a brand-new trance project under the alias IAMFLOKI, opening the door to a different side of his musical creativity.
We sat down with Mark to discuss the inspiration behind the label, the story behind IAMFLOKI, and what’s next for both projects.
1. WGLR: For anyone discovering your music for the first time, tell us a little about Some lad called wils and the sound you’ve become known for.
MW: I’m a huge fan of electronic music across the board and listen to pretty much everything, but progressive house and techno have always been my true passions. I’d describe my approach as quite experimental—I’ve never wanted to box myself into one specific genre or style. That said, most of my recent output leans heavily into a deep, raw, and dub-techno territory. My album from March, “Always Travelling, Never Arriving “(shameless plug intended!), tries to capture that direction.
2. WGLR: You’ve built a reputation for deep progressive house, and atmospheric techno. What was it about that sound that first connected with you?
MW: When I first fell in love with electronic music, I was actually a hardcore and gabber kid. Around 1996 or 1997, I started digging into progressive house and techno DJs, and that completely shifted my perspective. There was something about the depth of that sound that resonated with me on a much more profound level. It was an instant connection that completely redefined what electronic music meant to me.
3. WGLR: This summer sees the launch of 40six Records. What inspired you to start your own label?
MW: It’s an idea that has been brewing for a while. Over the last couple of years, I’ve been fortunate enough to put out a lot of music with various labels, and I’m incredibly grateful for the faith they put in my sound. However, working with other labels sometimes means compromising on your creative vision to fit a specific brand identity. I really wanted the total freedom to create whatever I want and release it on my own timeline.
Beyond the creative control, I also believe there’s room in the industry to better reward the people making the music. Artists do the heavy lifting, yet standard deals still take a massive cut of the royalties. With 40six, I want to ensure we treat artists fairly. At the end of the day, without the artists, there is no music.
4. WGLR: What is the vision for 40six Records, and what can listeners expect from future releases?
MW: We’re going to cover a broad spectrum of underground styles—everything from uplifting 140bpm trance to melodic techno, progressive house, and hypnotic techno. I have a string of releases lined up under my Some Lad Called Wils moniker, but I’m also launching a brand-new project towards the end of the summer called IAMFLOKI, which will be focused purely on high-energy, peak-time trance.
5. WGLR: Will the label focus solely on your own productions, or are you planning to support other artists as well?
MW: For the remainder of this year, the focus will primarily be on establishing the label through my own material, including the debut IAMFLOKI EP, “Untamed Forces”, and a few new Some Lad Called Wils projects. Once the foundation is laid, the goal is absolutely to scout and support external talent. We’ll be looking to sign other artists starting in early 2027 hopefully.
6. WGLR: Alongside the label launch, you’re introducing a new trance project under the name IAMFLOKI. What inspired that move?
MW: I’ve always loved trance, but outside of my monthly trance night on WGLR, it wasn’t something I spent much time playing or producing. Earlier this year, I went to an event where Paul van Dyk and John 00 Fleming played, and it just re-ignited that spark in me. I left thinking, “Yeah, I absolutely have to start making this.” I suppose deep down I’m just a restless artist who is always searching for the next creative outlet to dive into.
7. WGLR: Why create a separate alias rather than releasing trance music as Some lad called wils?
MW: I think having that clear boundary helps manage expectations. When people see the IAMFLOKI name, they’ll know exactly what they’re getting: high-energy, atmospheric, 140bpm bangers. Meanwhile, the Some Lad Called Wils project remains my vehicle for experimenting with deep techno, progressive house, and everything in between.
8. WGLR: How would you describe the IAMFLOKI sound to someone who hasn’t heard it yet?
MW: Pure energy. When it comes to trance, my heart still belongs to the classic era of 1997 to 1999, so my productions draw heavily from that euphoric, driving feel. I’m also a massive sucker for a good acid 303 line, so you can definitely expect plenty of that driving the basslines.
9. WGLR: Do your techno and trance productions come from different creative spaces, or are they more connected than people might think?
MW: They are absolutely connected. While the tempos and arrangements change, the fundamental production techniques, rhythmic drive, and atmospheric layers carry through everything I make, regardless of the genre.
10. WGLR: The boundaries between techno and trance have become increasingly blurred in recent years. How do you see those genres evolving?
MW: I think that crossover is only going to intensify. Music, like anything else, has to evolve to stay alive. A lot of tracks labeled as “Techno” today would have easily been classified as Trance or Psy-Trance twenty years ago. Rather than rigid boundaries, we’re seeing a beautiful explosion of hybrid sub-genres, which keeps the scene incredibly exciting.
11. WGLR: As both a producer and label owner, what excites you most about the next 12 months?
MW: Honestly, just watching it all come to life. I have a massive backlog of ideas and new tracks that I can’t wait to get out into the world. Beyond my own music, I’m genuinely excited about eventually bringing new talent onto 40six. There are so many incredible underground producers out there right now making phenomenal music that deserves a platform.
12. WGLR: What can listeners expect from your future appearances on We Get Lifted Radio?
MW: I’m going to keep doing exactly what I love, bringing you the freshest, finest underground electronic music every single week. Whether it’s my own tracks or hidden gems from other artists, I love searching for new music. To me, the true art of DJing is introducing listeners to incredible music they’ve never heard before, and that’s exactly what I aim to deliver every time I play.
Quick Fire Round
1. First record that changed your life?
MW: An easy one: “Evapor-8” by Altern-8. I was twelve years old, saw them performing it on Top of the Pops, and had never heard or seen anything like it. The energy and the masks blew my mind. I was instantly hooked on dance music from that exact moment.
2. Favourite piece of studio gear or plugin?
MW: I have a couple of staples right now. Serum is an incredible soft-synth with unparalleled versatility for crafting huge leads. I’ve also been heavily rinsing the Arturia Acid V plugin, which is a brilliant emulation of the classic Roland TB-303. It gives me all the grit and variation I need for my acid basslines.
3. One artist you’re listening to right now?
MW: I’m really into what Sarah Sommers is doing at the moment. Her brand of techno is right up my alley—it’s dark, atmospheric, and carries a great rave edge. She perfectly bridges the modern techno sound with that classic, raw Detroit and Berlin vibe. Plus, her live sets use hardware, synths, and drum machines, which gives it a really authentic, spontaneous energy.
4. One word to describe 40six Records?
MW: Tough question! If I had to distill the label down to a single word, it would be “Resonance.” On a technical level, it represents the sharp, cutting-edge electronic profiles we look for in our releases. On a human level, it speaks to how we operate. When you offer artists an honest, transparent 50/50 partnership, that integrity creates a lasting resonance throughout the entire underground community.
5. Best thing about being on We Get Lifted Radio?
MW: This is the easiest question of the lot because WGLR is such a special station. For me, it’s the community. The nightly interaction with listeners on our Discord channel and the sheer support the DJs show one another is unmatched. I’ve made some fantastic lifelong friends here. On top of that, the musical curation across the station is top-tier. No matter what you’re into—house, progressive, techno, or trance—there’s always a world-class show delivering that perfect blend of new and classic dance music.
A huge thank you to Mark for joining us in the VIP Room. With the launch of 40six Records and the arrival of IAMFLOKI, it’s clear that 2026 is shaping up to be a landmark year. Keep an eye on We Get Lifted Radio for more news, releases, and exclusive updates from one of our longest-serving residents.